Kodak Vision3 500T look

A tungsten-balanced cinema film, printed on Kodak 2383 as for the screen: cool streets, glowing signs and deep blacks.

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Vision3 500T on Kodak 2383, with medium grain. The traffic lights glow and the wet street falls into shadow.Photo: kevin Galerken / Pexels.

The same four photographs

Every film page shows the same four photographs, so you can compare films from page to page. Press Before Photonica to see them as they were taken.

A woman with freckles in hard sun — Vision3 500T — Skin in daylight

Green hills under a deep blue sky with clouds — Vision3 500T — Greens and sky

A wet New York avenue at night in neon and streetlight — Vision3 500T — Night, mixed light

A woman in a yellow dress at golden hour — Vision3 500T — Against the light

On three papers

A negative is printed, and the paper sets the final colour and contrast: the same frame on Portra Endura, Ultra Endura and Kodak 2383.

A wet New York avenue at night in neon and streetlight — Vision3 500T, Portra Endura — **Portra Endura**A neutral portrait paper.

A wet New York avenue at night in neon and streetlight — Vision3 500T, Ultra Endura — **Ultra Endura**A vivid paper: richer colour and stronger contrast.

A wet New York avenue at night in neon and streetlight — Vision3 500T, Kodak 2383 — **Kodak 2383**A cinema print film: muted colour and deeper shadows.

Where it shines

Cities after dark, neon, rain and rooms under lamps. The 2383 print sinks the shadows, so coloured light stands out against them.

What to watch

In daylight the print is heavy: blacks go to ink and colour gets loud, as the daylight portrait shows. The grain is part of the look; lower Grain for a cleaner frame.

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The Vision3 500T profile is derived from spektrafilm by Andrea Volpato, under CC BY-SA 4.0. Photonica is not affiliated with Kodak or Fujifilm. Licenses

Photographs: Saul Joseph, Пельмешик, kevin Galerken and DARKMODE CINEMA on Pexels.