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Kodak Gold 200 look

The everyday film of family summers: golden light and strong reds and oranges.

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A woman in a yellow dress at golden hour — Gold 200
Gold 200 on Portra Endura, with fine grain. The evening light turns golden and the skin warms with it.Photo: DARKMODE CINEMA / Pexels.

The same four photographs

Every film page shows the same four photographs, so you can compare films from page to page. Press Before Photonica to see them as they were taken.

A woman with freckles in hard sun — Gold 200
Skin in daylight
Green hills under a deep blue sky with clouds — Gold 200
Greens and sky
A wet New York avenue at night in neon and streetlight — Gold 200
Night, mixed light
A woman in a yellow dress at golden hour — Gold 200
Against the light

On three papers

A negative is printed, and the paper sets the final colour and contrast: the same frame on Portra Endura, Ultra Endura and Kodak 2383.

A woman in a yellow dress at golden hour — Gold 200, Portra Endura
Portra EnduraA neutral portrait paper.
A woman in a yellow dress at golden hour — Gold 200, Ultra Endura
Ultra EnduraA vivid paper: richer colour and stronger contrast.
A woman in a yellow dress at golden hour — Gold 200, Kodak 2383
Kodak 2383A cinema print film: muted colour and deeper shadows.

Where it shines

Sunny days, beaches, holidays and evening light. Gold pushes the picture toward yellow and gives reds and oranges extra weight.

What to watch

White walls turn cream, and low sun on skin can go orange. For truer whites use Portra 400; on Ultra Endura or Kodak 2383 the colour gets louder still.

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The Gold 200 profile is derived from spektrafilm by Andrea Volpato, under CC BY-SA 4.0. Photonica is not affiliated with Kodak or Fujifilm. Licenses

Photographs: Saul Joseph, Пельмешик, kevin Galerken and DARKMODE CINEMA on Pexels.